One Ticket Please

A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.

Mind of Clay

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

Guru, A Hijra Family

Set in a small town in the region of Tamil Nadu, in southern India, the film follows the days and works of a hijra family. Silky, Mahima, Trisha, Durga, Kuyili, Priyanka, Vasundhara and Yamuna, under the firm protection of their guru Lakshmi Ma, deliver snippets of their marginal but sovereign existence. From a millenia-old sacred tradition to getting by every second, "Guru" composes with them a poem of intertwined voices in which the world is a tough playground, where the third gender is primarily the resistance force of a life shared.

Megha's Divorce

The Price of Cheap

The Price of Cheap tells the stories of modern slaves in textiles manufacturing supply chains and the brave individuals fighting on the ground against immeasurable odds to help them. We follow a man named Joseph Raj, who runs an organization called T.E.S.T. (Trust for Education and Social Transformation) in Tamil Nadu, India as he goes on raids to rescue underage children from unsafe and labour intensive factories. We hear from the survivors he has helped rescue, hear of their horrific experiences, and desire for education and change. Academics and social justice workers weigh in on why the issue of forced labour persists.

Act of War: The Overthrow of the Hawaiian Nation

This hour-long documentary is a provocative look at a historical event of which few Americans are aware. In mid-January, 1893, armed troops from the U.S.S Boston landed at Honolulu in support of a treasonous coup d’état against the constitutional sovereign of the Hawaiian Kingdom, Queen Lili‘uokalani. The event was described by U.S. President Grover Cleveland as an "act of war."

Land of the Maharajahs

This travel film takes the viewer to the northern part of Rajasthan. After a quick day tour in New Delhi and its surroundings we visit the magnificently painted havelis of Shekhawati, in Jhunjhunu, Mandawa and Fatehpur, an area that used to be one of the most prosperous parts of India. From there we visit Bikaner with its impressive fort, maybe the most beautiful in Rajasthan, and the city's Jain temples ending the tour with remarkable traditional music and dance in Kuri village right outside of Jaisalmer.

Arrival

To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.

Drei Stunden Güstrow

December 1981: Helmut Schmidt, chancellor of the FRG, visits the chairman of the state council of the GDR, Erich Honecker. The experiences with the visit of Willy Brandt in Erfurt in 1970 have warned the state leadership: Euphoria for a federal chancellor is out of the question this time. For December 13th, the protocol plans a visit to Güstrow. The Christmas market, the Barlach memorial, and the cathedral of Güstrow are on the agenda. The enormous machinery of the ministry of state security is set into motion in order to ensure the “safety of the guest”. Erich Mielke: “Never before, such a high effort was necessary as here in Güstrow.” People are temporarily arrested, inhabitants placed under house arrest, Stasi employees dressed up as “visitors of the Christmas market”. And like that, the media was supposed to get presented with a favourable image of the GDR. A reconstruction of three hours of state visit to Güstrow.

Czechoslovakia on Parade

This FitzPatrick Traveltalk series short looks at Czechoslovakia before World War II, including images of bridges, churches, and castles in Prague, also a non-military parade through the city.

Cairo 'City of Contrast'

This Traveltalk series short takes a look at Cairo's landmarks, people, and culture.

The Sacred Food

A short documentary about the Ojibwe Native Americans of Northern Minnesota and the wild rice (Manoomin) they consider a sacred gift from the Creator. The film tells the Creation and Migration stories that are central to the tribe's oral history and belief system while showing the traditional process of hand-harvesting and parching the wild rice. Biotech companies are currently researching ways to genetically modify the rice and the community is fighting to keep it wild.

Delhi

Filmed in 1938, less than a decade before Indian independence, Delhi has a curious tale to tell. ‘Delhi’, the viewer is informed, ‘is the cockpit of the Indian Empire’, it provides the ‘gateway to the riches of the south’. The opening sections of the film focus upon those who have tried and failed to establish a lasting power in the capital. ‘At Delhi’, the commentator states, ‘successive cities have been built by conquering invaders – each has fallen into disuse and decay’. The camerawork focuses on the ‘impressive ruins’ of these earlier invaders. Although the film also depicts the enduring architecture of Muslim rulers, such as Akbar and Shahjahan, it is stressed that their power has been superseded. Legend has it that it will be the ninth city of Delhi that ‘will endure and will rule forever’. Shahjahan had built the eighth.

The Songs of Rice

In Thailand, a hymn to rice need not always be sung. A dance, or spectacular homemade fireworks can say the same thing. As can a film, as is convincingly demonstrated by this lyrical, beautifully filmed homage to this essential staple food.

Growing Native Great Lakes: Turtle Island

The Great Lakes and connecting waterways have remained the center of traditional and contemporary economies for centuries. Meet the Ojibwe and a tribe that was relocated to this region—the Oneida Tribe of Wisconsin who care for these lands. Natural resources are the Tribes’ main economy, including the famous Red Lake walleye and wild rice lakes.

Urban Solutions

An european artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.